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LYNN MAKES LOVE

Of course I meant to tell him. I waited for the right moment like a farmer waits for rain. [...]

by Kathryn Kirkpatrick

Of course I meant to tell him.
I waited for the right moment
like a farmer waits for rain.

But how do you tell a man
you want for a lover
you have only one breast?

For years before I met him
I wore that prosthesis like armor,
no more sloppy stares at my chest,

no eyes of a stranger half-mast
then back to my face, full
of the difference. Okay, it’s the missed

step on the stair for a while. It’s
a new kind of balance. But muscadines
and butternut squash still taste sweet.

So when John reached for me that night,
we were both on the brink of knowing
who we might be, his breath fast

at my neck, our urgent pushing up
of my skirt, and then the sweet thrust
let fly that weighted rubber breast

over our heads and across the room.
For a moment I was only my heart’s
staccato, pleasure the same beat

as fear. I suppose there might have been
tears. But I remember the laughter,
on and on, both of us at once.

Later when we made love again,
I took off my clothes. He put his hand
on the smooth, rm-nippled plane
of my chest, and I came home.

Kathyrn-Kirkpatrick

Kathryn Kirkpatrick


Kathryn Kirkpatrick, poet and literary scholar, is the author of seven collections of poetry, including Our Held Animal Breath (2012), which was selected by poet Chard DeNiord for the NC Poetry Society’s Brockman-Campbell Award.

She is also the editor of two collections of essays on Irish writers, Border Crossings: Irish Women Writers and National Identities (University of Alabama Press, 2000) and, with Borbála Faragó, Animals in Irish Literature and Culture (Palgrave, 2015).

Find out more here.

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